Shadrack works with a number of artists including the eminent performers and composers below.

 WARREN SMITH (WarrenSmithPercussion)

 Born in Chicago Illinois, Warren I. Smith entered the professional music world at the early age of fourteen, working in various family bands in the late 1940’s and later in the mid-50’s with Captain Walter H. Dyett’s concert and marching bands. Warren Smith has firm roots grounded in the Chicago south side music scene. Warren is a part of an essential element in the development and definition of Afro-American music.

Warren relocated to New York City in 1957 and completed his Masters of Musicat the Manhattan School of Music in 1958. That same year brought his first jazz gig in New York City with Kenny Burrell at Minton’s Playhouse. W.I.S. played Birdland in 1959 with Gil Evans, and from 1960-1972 worked regularly with Johnny Richards’ Bigband. It was around that time that Warren began extensive work both in the studios and on Broadway.

  Already an articulate voice within the jazz community, Warren Smith found himself deep inside the Motown scene throughout the 1960’s and 70’s. Being the unsung percussionist on the scene with Bernard Purdie, Warren played on all the Gladys Knight and the Pips’ 45 hit singles; performed on numerous occasions with Dionne Warwick; did several tours, recording sessions and TV dates with Harry Bellafonte; backed up Nat King Cole on his week summer tour of New England, 1964; played the R n R Shows with Murray the K. in Brooklyn; toured with Barbra Streisand throughout the U.S. in 1965; worked on the ABC New York staff orchestra 1964-67 - including the Jimmy Dean Show and the Less Crane/Nippsy Russell Show; recorded on the only collaborative album done by Marvin Gaye and Tammy Terrell; musical director of Janis Joplin in 1969- playing the Ed Sullivan Show, the San Francisco Ice Palace and her only European tour; recorded, toured and did live TV performances with Aretha Franklin from 1965-1978, including a performance at the 1971 Montreaux Jazz festival, which he also played with Tony Williams Lifetime EGO that same year.

Concurrently with his extensive Motown and studio work, Warren Smith began to teach at Adelphi University in 1969 and later at the State University of New York in Old Westbury from 1971-1996. Never losing sight, Warren has remained a prominent percussionist and drummer within the jazz world. Performing, touring and recording with every progressive from Charles Mingus to Miles Davis, from Muhal Richard Abrams to Sam Rivers, Max Roach, M’Boom, Jabbo Ware, David Murray, Sonny Sharock, Anthony Davis and many other masters of the music. For more about Warren Smith, please visit


 Joseph Daleyis a musician/composer/educator specializing in new/contemporary music, jazz, and improvisation. He studied at the Manhattan School of Music and attained a master’s degree in music education. He has received fellowships in music composition from the National Endowment, MacDowell Colony, Music Omi and Geraldine R Dodge Foundation.  Daley recently retired as a music educator after completing 30 years of service. Mr. Daley has performed, recorded and toured the world with the following artists: Muhal Richard Abrams, Bill Cole, Far East Side Band, Sam Rivers, Ellery Eskelin, Liberation Music Orchestra, Gil Evans, Carla Bley, Taj Mahal, Jayne Cortez, George Gruntz, Gravity, Ebony Brass Quintet, Paradigm Shift, Dave Douglas, Bill Dixon, Cecil Taylor, Anthony Braxton, Craig Harris, Spider Monkey Strings and Hazmat Modine. For more about Joseph Daley, please visit


 Bill Cole is an American jazz musician, composer, educator and author from Pittsburgh, PA currently based in New York. An admired innovator, Cole successfully combines the sounds of untempered instruments with an American art form – jazz. Cole specializes in non-Western wind instruments, especially double reed horns: including Chinese sonas, Korean hojok and piri; Indian nagaswarm and shenai and Tibetan trumpet; as well as the Australian digeridoo and Ghanaian flute. Cole is the leader of the Untempered Ensemble, a group he founded in 1992. He has performed with Sam Rivers, Billy Bang, Jayne Cortez, Julius Hemphill, Ornette Coleman, James Blood Ulmer, William Parker, Fred Ho, Gerald Veasley and others; at Carnegie Hall, Lincoln Center, Town Hall, Symphony Space and venues around the U.S. and in Europe; and has recorded for Boxholder Records

Cole’s work as a composer is vast, and springs from jazz and African themes. In the early 1980’s, Professor Fela Sowande gave Cole a collection of 500 proverbs from the Yoruba people of Nigeria. Inspired by their inherent wisdom, Cole has written musical compositions based on more than 100 of these proverbs, many of which are among the Ensemble’s repertoire. Cole also developed major works called the "Seven Cycles" based on the philosophy of the Ibo people of Nigeria, which holds that the human soul reincarnates seven times. Each of the “Seven Cycles” increased in length and size – ranging from the First Cycle (featuring Sam Rivers and Warren Smith) to later Cycles that included as many as 40 musicians, drumming ensembles and Gospel choirs. Cole continues to compose for the Untempered Ensemble and other companies.

Cole received a PhD in Ethnomusicology from Wesleyan University and served as Professor of music at Amherst College until 1974 and then at Dartmouth College until 1990, where he was Chair of the Music Department. He went on to Chair the Department of African American Studies at Syracuse University. Cole has authored two books; “Miles Davis: The Early Years” (1974, William Morrow / 1994, Da Capo Press) and “John Coltrane” (1976, Schirmer / 2001 Da Capo Press); and has published numerous reviews and critical essays. For more about Bill Cole, please visit

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